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Washington, D.C., circa 1920. "National Personnel Service Bureau." This could be a shot composed by Edward Hopper. National Photo Co. View full size.
She needed the dictionary in case her spell-check was on the blitz.
[And then there are those beyond the help of spell-check. - Dave]
Big in those days were desks which actually hide the typewriter when not needed. Some had a pull-up-and cover-it desk top. But I believe this one has the typewriter bolted down and hinge is used to rotate the machine under, leaving a very nice wooden workspace for the secretary to use.
What a pleased and composed expression on her lovely, and older, face. An accomplished professional at one with her work. Let's see, perfect margins, no misspelled words, no strikeovers. Her boss is lucky to have her. Wonder what he paid her.
That's a remarkably different composition and concept for its time. And it was a two-person shoot: one squeezing the shutter bulb, another firing a very sizable load of flash powder for light which matched the people strongly enough to equal the outdoor exposure. A very talented shooter made this one.
[The photographers employed by the National Photo Co. were, by definition, pros. - tterrace]
She's... inside... so she must be the Secretary of the Interior.
And today, of course, it would be known as "National Human Resources Service Bureau." Never use one word when two will do.
in one of the cane chairs in the foreground. This style chair is a great set item for time-period theatre productions. Hard to find used in a usable state, though.
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